Masterpieces of Venetian painting
It is enough to remember the names of Giorgione and Titian, Veronese and Tintoretto, and it becomes clear what a bright and beautiful page in the art of the Renaissance…

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Hubert Robert - "Painter of Ruins"
Antique ruins, then reflected in the calm waters, then almost hidden by thickets of climbing plants, shrubs. Peaceful rural nature, almost always clear sky. Through the gaps of trees make…

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Venetian landscape painters of the 18th century
By the beginning of the 18th century, the once mighty Venice had lost its significance as the political center of the Mediterranean, becoming a peculiar center of pilgrimage. Rich travelers…

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Antique Cologne

Cologne … Many have heard about this German city on the Rhine, a major center of medieval European culture. The well-known Cologne Cathedral is an unsurpassed monument of Gothic architecture. Its spiers, like gigantic petrified conifers, rush into the sky to a height of one and half meters. Unusual history of construction. She began to be erected in 1248. In the middle of the XV century, work stopped, and only in the XIX century, construction was completed.

But few people know that a more ancient structure, in the place of which a magnificent cathedral was erected, existed since the 9th century. It was built in the era of the Carolingians, here already in the period of early Christianity (IV – VI centuries) the church stood, and it, in turn, was built on the foundations of the ancient temple. So, gradually unraveling the complex tangle of the history of the cathedral, we will come to ancient Cologne. Like other cities in Europe – Paris, Lyon, Marseille, Trier, Bonn – it has its history since the times of the Roman Empire.

The name of the city itself is Roman. “Cologne” – means “colony”, the settlement of Roman citizens, primarily soldiers, in lands far from Rome. “Colony – Cologne” – the abbreviated name of the city, which spread in the early Middle Ages. The Romans called him “Colonia Claudia Ara Agrippinensium”. This meant that the colony was founded by Emperor Claudius at the place where his predecessor, commander Mark Vipsanius Agrippa, friend and son-in-law of Emperor Augustus, founded a settlement with an altar. Such “altars of the world” were altars in honor of the Roman gods. These are the first centers of Roman civilization in the conquered territory.

Once in this corner of the Rhineland, the German Eburonian tribe lived, but it was destroyed in the conquest of Julius Caesar in 53 BC. Fifteen years later, Agrippa moved a tribe of murders here from the other side of the Rhine. They and the Romans came to form the basis of the population of the Colony of Claudia.

Caesar’s sword was one of the most precious relics of the city. We learn about this by reading the colorful “Life of the Twelve Caesars” by the Roman historian Suetonius. In April 69 AD, a fierce struggle broke out between the two contenders for the imperial throne – Oton and Vitellius. Unlucky Otho had to commit suicide. Vitellius, who was in the Colony, donated the sword of the fallen rival to the temple of the god of war Mars. He himself was proclaimed emperor: “… the soldiers, regardless of either the day or the hour, one evening suddenly dragged him out of the bedroom, greeted him with the emperor and carried him to the most crowded villages. In his hands he held the sword of the divine Julius from the sanctuary of Mars, filed by someone at the first congratulations. ”

What was the ancient Cologne? The answer was excavation. Like most cities of “colonial” origin, it is planned according to the type of the Roman military camp. It was based on two streets intersecting at a right angle, “cardo maximus” and “decumanus maximus”. The first went from north to south, the second – from east to west. It is curious that this layout is still traced in modern Cologne. The city had a strong defensive wall with 9 gates and 22 towers. In the center was the Pretorium, the building where the highest magistrates of the city met. There were temples in honor of the Roman gods – Jupiter, Juno and Minerva, revered in the Roman Capitol, Mapsa, Mercury. There were luxurious public baths (terms) and an amphitheater, not yet found by archaeologists, but certainly existing – images of circus performances and gladiator fights found on products of Cologne masters. In addition, a remarkable monument was found – a large mask made of baked clay. Such grotesque masks, painted in red, were worn by actors, speaking at cult games in honor of local gods. On the outskirts of the city crowded quarters of artisans – glassblowers, pottery, sculptors, wood and bone carvers, jewelers, painters.

Numerous roads connected the Colony of Claudia with the territory of the neighboring Germanic tribes. She maintained lively ties with other cities — the forerunners of modern Trier, Mainz, Bonn. Behind the city wall, as well as along the Roman Via Appia, there were “cities of the dead” – cemeteries and necropolises. It was forbidden to bury in the city, and the roads made it possible for the living to “communicate” with the dead – their faces looked from the gravestones at the travelers. Epitaphs resurrected forgotten names.

At its best, ancient Cologne was a big city: 20-25 thousand people lived in it. One can imagine the speed with which this Roman city on the Rhine grew, how temples and covered portico galleries arose in the Germanic forests.

Ernest Seton-Thompson - writer, artist, naturalist
Eighty-six years of life - a considerable time. Exactly so many wonderful Canadian writer, artist, naturalist Ernest Seton-Thompson lived. But who was he in the first place? A rare case…

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Barbizon School of Painting
Barbizon School of Painting Far from the noise of the capital, the French painters of the last century have chosen the area around the royal residence of Fontainebleau, which since…

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Egyptian ostracon drawings
In the art of ancient Egypt there are monuments that make up a special group. These are works of graphics - drawings on the boards. The Greek word "ostracon" literally…

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Masterpieces of Venetian painting
It is enough to remember the names of Giorgione and Titian, Veronese and Tintoretto, and it becomes clear what a bright and beautiful page in the art of the Renaissance…

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