Konstantin Meunier - an artist who glorified the proletariat
The life of the Belgian master Constantin Meunier is not eventful. But his creative biography is unusual. He began as a sculptor, visiting the class of the Academy of Fine…

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fortunabola slot
Two portraits of the actress Strepetova
There are destinies that strike the imagination with unusualness and inner completeness — such is the life of Pelageya Antipevna Strepetova (1850–1903), difficult and bright, full of dramatic turns. At…

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Ordinary Magic Glass
The expression "Venetian glass" has become a household word. It is used in the appreciation of the artistic merit of glass. And it is not by chance that the largest…

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Giacomo Manzu - Coast of Truth
Creativity Mantsu is a surprisingly natural synthesis of truth, clarity of artistic ideas and originality of the visual image. His method is truly realistic, but this is realism, say, not…

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"The Adoration of the Magi" by Sandro Botticelli and Leonardo Da Vinci
In March 1481, the monks of the Florentine monastery of San Donato and Scopetto turned to the notary Pietro of Vinci with a request to find an artist who could…

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Eugene Delacroix – Goethe’s Faust lithographs

In the 1820s, the artist Eugene Delacroix was in the prime of his creative power. He is 30 years old, he is a recognized master, who created the paintings that put him among the best artists of France: “Dante and Virgil”, “The Massacre at Chios”, “The Execution of Marino Faliero”, “The Death of Sardanapala”.

In them, Delacroix most fully reflected the ideas of progressive romanticism that prevailed at that time in French painting, to the transmission of historical truth expressed by a vivid, emotional language, which compels the emperor to sympathize with the strong, integral and passionate characters.

In 1828, the artist performed a cycle of lithographs on the theme of “Faust” by I.-V. Goethe. In them, he appeared the same romantic as in painting.

Lithographs to “Faust” – one of the most original phenomena in the work of Delacroix. They were issued in a separate edition in 1828. The artist immediately sent Goethe a copy of the Paris edition. The great writer praised the illustrations and even said that the interpretation of some scenes is richer than his own.

Delacroix was often accused of “literary”, denied his art in the name of “pure painting”. The master himself said that the artists of the New time are almost exclusively the beauty and character of brush strokes, and they consider everything else in the painting to be something outside painting.

But such an appeal to literary sources is associated with the idea of ​​the synthesis of arts in romanticism. The desire to unite various arts is one of the main problems of aesthetics of this trend. The connection between literature and music was manifested in the saturation of poetry with musical rhythms and intonations. Literary images, plots, themes penetrate music. Conversely, some paintings of the beginning of the XIX century were built according to the laws of music. Thus, the picture of the famous German romance M. Schwind “The Symphony” consisted of four parts with musical names. The largest German romantic writer Novalis believed that a plastic work of art should never be watched without music, and music, on the contrary, should be listened to in beautifully decorated halls. Poetry, according to Novalis, should be enjoyed along with the one and the other.

It is known that Delacroix created monumental canvases to the sounds of organ and choral, which acted inspiringly on him. Many masters of romanticism vividly revealed themselves in various forms of art. So, the writer E.-T.-A. Hoffmann was, in addition, a painter and composer. His opera “Ondine” enjoyed great success with his contemporaries. Victor Hugo, in addition to the great novels, created the most original drawings. Delacroix was also a gifted writer, he left “The Diaries” – a remarkable literary work that combines an epistolary genre, a lyrical description, an apt and sharp comparison, a subtle essay, and a philosophical generalization.

Delacroix’s artistic method itself demanded reference to literary topics. His artistic interpretation almost merges with the works of the classics, which were a source of inspiration for him.

On June 9, 1823, he writes in his diary: “Why not resort to antidotes of civilization, to good books? They strengthen the soul and give it peace. ” And on April 11, 1824, another record, as if continuing the first one: “What should be done to find the plot? Open a book that can inspire, and trust your mood! There are books that always have an effect. They are something like prints, and you need to have on hand. This – Dante, Lamartine, Byron, Michelangelo.

Their need for strong feelings, bright and integral characters, extraordinary themes of romance drew from literary sources. Literature gave impetus to the powerful imagination of Delacroix. However, literary plots were only external outline, and the decision belonged to the artist himself, who never forgot that “nature is the dictionary according to which the artist draws up sentences”. His works often expanded and supplemented the original, revealing new, unexpected aspects. Especially fascinated are the masters of Dante, Ariosto, Tasso, Shakespeare, Byron, Milton, Walter Scott and Goethe.

In 1825 he became acquainted with Goethe’s Faust, under whose influence he created many drawings and lithographs. Delacroix knew at that time only the first part of the work, since the second was not yet completed. Nevertheless, the fantasies of romance opened up wide spaces here: medieval Germany, an extraordinary plot, an action, then locked in an alchemist’s closet room, then unfolding in the wild rampage of Walpurgis Night.

"Boris Godunov" and "Vasily Shuisky" by Ivan Shtenglin
In the middle of the 18th century, the interest of the Russian society in national history increased. Ivan Shtenglin, a master from Augsburg, Germany, who worked in Russia, completed from…

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Ernest Seton-Thompson - writer, artist, naturalist
Eighty-six years of life - a considerable time. Exactly so many wonderful Canadian writer, artist, naturalist Ernest Seton-Thompson lived. But who was he in the first place? A rare case…

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James Whistler: “I am an artist and“ born ”in Petersburg”
James Whistler, an Anglo-American artist, was born July 11, 1834 in Lowell, the industrial city of the United States. Staying in Russia largely affected the formation of his talent. Whistler…

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