Rafael Santi - the ideal of the purest art
In the view of the people of the Renaissance, beauty is above all the orderly consonance and connection of parts, harmony. It is based on a proportion, a perfect image,…

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Venice School of Painting
The heritage of the Venetian school of painting is one of the most striking pages in the history of the Italian Renaissance. The “Pearl of the Adriatic” - a quaintly…

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Barbizon School of Painting
Barbizon School of Painting Far from the noise of the capital, the French painters of the last century have chosen the area around the royal residence of Fontainebleau, which since…

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hands he held

“Portrait of D. A. Furmanov” by Sergey Malyutin

Sergey Vasilyevich Malyutin – the oldest in age and creative experience of all Russian masters who came to the Soviet art. With the victory of the October Revolution, which the artist enthusiastically met, new heroes are included in his thematic repertoire.

“Portrait of D. A. Furmanov” is not only one of Malyutin’s most significant works, but also an important milestone in the history of Soviet painting. It was in this work, for the first time, with great depth and artistic expressiveness that the typical appearance and character of the person who made the socialist revolution and was formed by it was embodied. Continue reading

“Horsewoman” by Karl Brullov

Russian painter Karl Bryullov painted a portrait in real size, depicting a girl on a horse and a girl who looks at her. As far as we remember, we still have not seen a horse portrait, conceived and executed with such art … This portrait shows us a painter who speaks at once, and more importantly, a brilliant painter. ”

Such and other, not less flattering, reviews appeared in the Italian newspapers in 1832. The interest and admiration of art lovers was caused by the painting “The Horsewoman. Portrait of Amatsilii and Dzhovanina Pacini, pupils of the Countess Yu.P. Samoilova ”. Continue reading

Camille Corot: “I write with my heart”

The large, half a century long, creative life of the French artist Camille Corot (1796–1875) was, as it were, subject to the change of seasons. In the winter months he worked in the Paris workshop, often visiting the opera and the conservatory. But the happiness of communicating with wildlife meant for the master incomparably more than visiting museums and concert halls. Every year with the onset of spring, he went on a journey through various regions of France to write sketches. Many of them have become pearls of plein-air painting. Continue reading

Luca della Robbia - devotional service to art
The whole long life of Luke della Robbia was dedicated to serving the arts. The sculptor was born in Florence in 1399 or 1400. He made many works that rightfully…

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Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”
The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak…

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Barbizon School of Painting
Barbizon School of Painting Far from the noise of the capital, the French painters of the last century have chosen the area around the royal residence of Fontainebleau, which since…

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Artists of besieged Leningrad
In the city on the Neva, in the House of Artists, in front of the entrance to the exhibition halls hangs a large marble plaque. On it are carved the…

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