Wooden sculpture of Prikamye
The discovery of this “completely unprecedented and absolutely amazing phenomenon” - the original folk art of the Kama region - belongs to N. N. Serebrennikov, an Ural art historian, collector…

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Pre-Raphaelite Brotherhood
For a proper understanding of the pre-Raphaelite movement, it is necessary to identify the difference between its individual stages, which stretched over several decades. It should be noted that many…

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Syrian landscapes
Most of the landscape compositions by Syrian artists are devoted to old Damascus and the village of Maaloula, located in a picturesque mountain area near Damascus. She became a source…

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construction of a memorial

“Portrait of D. A. Furmanov” by Sergey Malyutin

Sergey Vasilyevich Malyutin – the oldest in age and creative experience of all Russian masters who came to the Soviet art. With the victory of the October Revolution, which the artist enthusiastically met, new heroes are included in his thematic repertoire.

“Portrait of D. A. Furmanov” is not only one of Malyutin’s most significant works, but also an important milestone in the history of Soviet painting. It was in this work, for the first time, with great depth and artistic expressiveness that the typical appearance and character of the person who made the socialist revolution and was formed by it was embodied. Continue reading

“Red came” by Yevsey Moiseenko

“Our roots are in childhood memories, in the family, its moral soil, foundations, relations with the outside world …”, says Moiseenko. “… From the first impressions of life comes the feeling of the Motherland: what sky was above you, what rains washed, on what earth you set foot from the threshold of your home …”.

The events that determined the path of the artist were exciting changes, difficult struggle, renewed life, the romance of the feat, born of Great October. Continue reading

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”

The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a participant or a witness.” Fritz Kremer’s path more than once led him to the brink, the transition of which required risking his life. His art speaks of the most tragic and sorrowful moments in the history of the 20th century courageously, simply and frankly. The artist does not lose faith in the bright forces of man and does not allow falsehood and emotion.

Fritz Kremer was born 80 years ago in the small mining town of Ruhr. He was not one year old when he lost his father, and at the age of 16 after his mother died, he left the burgher’s stepfather’s house that was alien to him. Continue reading

Mexican painting of the first half of the 20th century
In the 20th century, the art of Latin America, primarily Mexico, unexpectedly became one of the most significant phenomena of world culture. The dramatic history of this country is replete…

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Rafael Santi - the ideal of the purest art
In the view of the people of the Renaissance, beauty is above all the orderly consonance and connection of parts, harmony. It is based on a proportion, a perfect image,…

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Camille Corot: "I write with my heart"
The large, half a century long, creative life of the French artist Camille Corot (1796–1875) was, as it were, subject to the change of seasons. In the winter months he…

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Paul Gauguin - “the world of Tahiti”
When you get to the hall where the paintings of Gauguin hang, you find yourself in a special world of images, mysteriously flickering colors, slow rhythms. Everything here is unusual…

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