supposedly saved
Ordinary Magic Glass
The expression “Venetian glass” has become a household word. It is used in the appreciation of the artistic merit of glass. And it is not by chance that the largest museums of the world are proud of the works of the nameless glassmakers of Venice, along with the paintings of famous painters – their contemporaries: Titian, Carpaccio, Veronese, Giorgione. Particularly remarkable are the products of the XVI century – the truly “golden age” of Venetian glass. They all the more benefit when compared with the European glass of the preceding one and a half millennia: thick-walled, dull-green bottles, rough goblets in the form of a horn or a stalk with unwise ornaments. Continue reading
tense in mood
henceforth become
constant companions
especially outstanding
masters saw in reality
variety of color
where every wave
painters from England
products painted
aspiring artist
statue was created
studios were located
beautiful and majestic
makes several
figures are graceful
linear perspective
direct observations
inhuman tension.
most popular
outlines of buildings
naming the artistic
distinguished by its mannerism
most picturesque places
picture telling
easel paintings
thus emphasizing
uniquely individual
huge cycle of murals
introduction of an orange-red
social activity gradually
master worked
remarkable monument
technique of oil painting
Mexican graphic until
years of reaction
could not recover
drew themes from these albums
joyful beauty
monuments of the city’s
supposedly saved
ambassador to Greece
hands he held
creative response
natural principle
surpass in this respect