"The Conspiracy of Claudius Civilis" by Rembrandt
A prominent place in Rembrandt’s painting is taken by the painting “The Claudius Civilis Conspiracy”, created in 1661. This creation was destined to play a very special role in all…

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Artists of besieged Leningrad
In the city on the Neva, in the House of Artists, in front of the entrance to the exhibition halls hangs a large marble plaque. On it are carved the…

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The Unknown by Ivan Kramskoy
At the end of the 1860s, in the period when the Association of Traveling Art Exhibitions was born, a curious incident occurred in the workshop of Artel of artists. He…

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Kanoplasta from Tanagra
The Greek words "tanagra", "tanagryanka" about a hundred years ago entered the Russian language. They are now used to denote everything fragile, feminine and plastic. The artist V. Serov invented…

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How did the masters of the Italian Renaissance study
Verrocchio, Mantegna, Leonardo da Vinci, Michelangelo. The greatest geniuses. What bright individuals and how much they differ from each other! What unites the unsurpassed masters of the time, which is…

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building it according

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”

The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a participant or a witness.” Fritz Kremer’s path more than once led him to the brink, the transition of which required risking his life. His art speaks of the most tragic and sorrowful moments in the history of the 20th century courageously, simply and frankly. The artist does not lose faith in the bright forces of man and does not allow falsehood and emotion.

Fritz Kremer was born 80 years ago in the small mining town of Ruhr. He was not one year old when he lost his father, and at the age of 16 after his mother died, he left the burgher’s stepfather’s house that was alien to him. Continue reading

Rafael Santi – the ideal of the purest art

In the view of the people of the Renaissance, beauty is above all the orderly consonance and connection of parts, harmony. It is based on a proportion, a perfect image, where, in the words of the Italian scientist and architect Alberti, “you cannot add, subtract or change anything without making it worse.”

In the resurrected Renaissance, the ancient formula “beauty is harmony” expressed both the essence of art and a peculiar idea of ​​the world around it. Continue reading

Luca della Robbia – devotional service to art

The whole long life of Luke della Robbia was dedicated to serving the arts. The sculptor was born in Florence in 1399 or 1400. He made many works that rightfully occupy a prominent place in the history of the sculpture of the Renaissance. Luka della Robbia’s hard work, his devotion to art was emphasized by one of his first biographers, D. Vasari: “… completely leaving the jewelry business, he (Luca della Robbia) gave himself up to sculpture and did not do anything else, working with a chisel all day nights And he did it with such diligence that, often feeling at night that his legs were frozen, he, in order not to depart from the drawing, warmed them, shoved them into a basket with chips … ” Continue reading

Eugene Delacroix - Goethe's Faust lithographs
In the 1820s, the artist Eugene Delacroix was in the prime of his creative power. He is 30 years old, he is a recognized master, who created the paintings that…

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Kanoplasta from Tanagra
The Greek words "tanagra", "tanagryanka" about a hundred years ago entered the Russian language. They are now used to denote everything fragile, feminine and plastic. The artist V. Serov invented…

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Pre-Raphaelite Brotherhood
For a proper understanding of the pre-Raphaelite movement, it is necessary to identify the difference between its individual stages, which stretched over several decades. It should be noted that many…

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