theorist of art Bellory
Caravaggio – “an excellent rival of nature”
At the turn of the XVI – XVII centuries in Italy, famous for great painters, poets, scientists and humanists, a very peculiar artist appeared. His paintings caused a genuine sensation. Noble signorers and common people, artists and art lovers, clergymen and numerous multilingual wanderers, who filled the Eternal City during the great holidays, were eager to see them. Connoisseurs of art of that time praised the masters and talked about creations that were truly extraordinary and unique in their own way. They simultaneously cursed him as a person. Continue reading
ambassador to Greece
natural principle
picture telling
surpass in this respect
studios were located
could not recover
where every wave
painters from England
drew themes from these albums
social activity gradually
most popular
makes several
remarkable monument
most picturesque places
henceforth become
aspiring artist
products painted
masters saw in reality
Mexican graphic until
distinguished by its mannerism
variety of color
years of reaction
constant companions
naming the artistic
joyful beauty
creative response
huge cycle of murals
statue was created
master worked
linear perspective
easel paintings
tense in mood
thus emphasizing
hands he held
supposedly saved
figures are graceful
inhuman tension.
especially outstanding
outlines of buildings
introduction of an orange-red
direct observations
technique of oil painting
monuments of the city’s
uniquely individual
beautiful and majestic