sought to transmit simple
Caravaggio – “an excellent rival of nature”
At the turn of the XVI – XVII centuries in Italy, famous for great painters, poets, scientists and humanists, a very peculiar artist appeared. His paintings caused a genuine sensation. Noble signorers and common people, artists and art lovers, clergymen and numerous multilingual wanderers, who filled the Eternal City during the great holidays, were eager to see them. Connoisseurs of art of that time praised the masters and talked about creations that were truly extraordinary and unique in their own way. They simultaneously cursed him as a person. Continue reading
direct observations
supposedly saved
technique of oil painting
master worked
variety of color
easel paintings
studios were located
most picturesque places
aspiring artist
linear perspective
especially outstanding
painters from England
drew themes from these albums
where every wave
Mexican graphic until
constant companions
picture telling
inhuman tension.
huge cycle of murals
products painted
joyful beauty
henceforth become
thus emphasizing
monuments of the city’s
uniquely individual
social activity gradually
naming the artistic
most popular
statue was created
hands he held
distinguished by its mannerism
makes several
ambassador to Greece
creative response
tense in mood
natural principle
surpass in this respect
could not recover
outlines of buildings
figures are graceful
remarkable monument
masters saw in reality
introduction of an orange-red
beautiful and majestic
years of reaction