Ordinary Magic Glass
The expression "Venetian glass" has become a household word. It is used in the appreciation of the artistic merit of glass. And it is not by chance that the largest…

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“Portrait of Marshal G. K. Zhukov” by Pavel Korin
Artists see the world in different ways, each depicting what he sees in his own way, conveying the many colors of nature and unusual characters. And sometimes they dream to…

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Syrian landscapes
Most of the landscape compositions by Syrian artists are devoted to old Damascus and the village of Maaloula, located in a picturesque mountain area near Damascus. She became a source…

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Venice School of Painting
The heritage of the Venetian school of painting is one of the most striking pages in the history of the Italian Renaissance. The “Pearl of the Adriatic” - a quaintly…

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Luca della Robbia - devotional service to art
The whole long life of Luke della Robbia was dedicated to serving the arts. The sculptor was born in Florence in 1399 or 1400. He made many works that rightfully…

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standing oarsman

Mexican painting of the first half of the 20th century

In the 20th century, the art of Latin America, primarily Mexico, unexpectedly became one of the most significant phenomena of world culture. The dramatic history of this country is replete with brutal conquests, murders, merciless oppression of the masses – starting from the invasion of the Aztec warrior people, who later created a formidable state later in Central Mexico, in the XII century.

In the first half of the 16th century, Spanish conquerors conquered Mexico, seized the ancient civilization that had developed here, spread Christianity with fire and sword, and turned the Indians into slaves. Continue reading

Egyptian ostracon drawings

In the art of ancient Egypt there are monuments that make up a special group. These are works of graphics – drawings on the boards. The Greek word “ostracon” literally means a shard, a fragment of ceramics. However, in relation to the art of ancient Egypt, it has a more capacious meaning. This word is commonly understood as drawings made not only on fragments of ceramics, but mostly on chipped stone (usually limestone), less commonly wood, that is, on material that was always at hand with masters engaged in decorating the tombs of the Theban necropolis — painting walls , manufacturing of statues and items of funeral inventory. Continue reading

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”
The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak…

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Luca della Robbia - devotional service to art
The whole long life of Luke della Robbia was dedicated to serving the arts. The sculptor was born in Florence in 1399 or 1400. He made many works that rightfully…

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Pre-Raphaelite Brotherhood
For a proper understanding of the pre-Raphaelite movement, it is necessary to identify the difference between its individual stages, which stretched over several decades. It should be noted that many…

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