"Denial of confession" by Ilya Repin
The man was brought to execution. After several months of imprisonment, he was pale. Around the roaring crowd. - Villain, crazy! In the king himself shot! - God saved his…

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Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”
The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak…

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"Boris Godunov" and "Vasily Shuisky" by Ivan Shtenglin
In the middle of the 18th century, the interest of the Russian society in national history increased. Ivan Shtenglin, a master from Augsburg, Germany, who worked in Russia, completed from…

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Wooden sculpture of Prikamye
The discovery of this “completely unprecedented and absolutely amazing phenomenon” - the original folk art of the Kama region - belongs to N. N. Serebrennikov, an Ural art historian, collector…

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Antoine Bourdelle and Aristide Maillol - antiquity in the works
Antoine Bourdelle and Aristide Mayol. What binds them? That they were born in the same year - 1861st? That both are French? Or that they are outstanding sculptors and are…

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remarkable monument

Venetian landscape painters of the 18th century

By the beginning of the 18th century, the once mighty Venice had lost its significance as the political center of the Mediterranean, becoming a peculiar center of pilgrimage. Rich travelers from all over Europe came here to admire the beauty of the city. And everyone dreamed of taking a picture, drawing or engraving depicting a corner of a beautiful city as a souvenir. No wonder the most popular among other genres enjoyed the landscape.

“The population of Venice,” wrote the historian Monnier, “is a festive and idle crowd: poets and hangers-on, hairdressers and usurers, singers, dancers … – everything that lives in pleasures or creates them. Continue reading

Venice School of Painting

The heritage of the Venetian school of painting is one of the most striking pages in the history of the Italian Renaissance. The “Pearl of the Adriatic” – a quaintly picturesque city with canals and marble palaces, spread out on 119 islands among the waters of the Gulf of Venice, was the capital of a powerful trading republic that held all trade between Europe and the countries of the East. This became the basis of the prosperity and political influence of Venice, which included part of Northern Italy, the Adriatic coast of the Balkan Peninsula, and overseas territories. She was one of the leading centers of Italian culture, typography, humanistic education. Continue reading

Pre-Raphaelite Brotherhood

For a proper understanding of the pre-Raphaelite movement, it is necessary to identify the difference between its individual stages, which stretched over several decades. It should be noted that many foreign historians and critics of art are silently ignoring or deliberately distorting its progressive line, trying to limit the rebelliousness of the Pre-Raphaelites to a purely artistic field.

In September 1848, seven young men, students of the school of the Royal Academy of Fine Arts in London, formed a “Pre-Raphaelite brotherhood” with the goal of making a revolution in English art. Continue reading

"Red came" by Yevsey Moiseenko
“Our roots are in childhood memories, in the family, its moral soil, foundations, relations with the outside world ...”, says Moiseenko. "... From the first impressions of life comes the…

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Camille Corot: "I write with my heart"
The large, half a century long, creative life of the French artist Camille Corot (1796–1875) was, as it were, subject to the change of seasons. In the winter months he…

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"The Adoration of the Magi" by Sandro Botticelli and Leonardo Da Vinci
In March 1481, the monks of the Florentine monastery of San Donato and Scopetto turned to the notary Pietro of Vinci with a request to find an artist who could…

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