Venice School of Painting
The heritage of the Venetian school of painting is one of the most striking pages in the history of the Italian Renaissance. The “Pearl of the Adriatic” - a quaintly…

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Venetian landscape painters of the 18th century
By the beginning of the 18th century, the once mighty Venice had lost its significance as the political center of the Mediterranean, becoming a peculiar center of pilgrimage. Rich travelers…

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Barbizon School of Painting
Barbizon School of Painting Far from the noise of the capital, the French painters of the last century have chosen the area around the royal residence of Fontainebleau, which since…

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Monthly Archives: February 2019

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“Portrait of Marshal G. K. Zhukov” by Pavel Korin

Artists see the world in different ways, each depicting what he sees in his own way, conveying the many colors of nature and unusual characters. And sometimes they dream to express even something abstract: the life of the human spirit. Pavel Dmitrievich Korin sought to “reflect the disobedient, proud spirit of our people.” And he painted landscapes of his native Palekh, portraits of people unknown and famous, never tired of searching in their destinies, manifestations of the “spirit of the people”. Among these works, a special place is occupied by “Portrait of Marshal G. K. Zhukov”. Moreover, even the creation of the canvas is an instructive event. Continue reading

“Portrait of D. A. Furmanov” by Sergey Malyutin

Sergey Vasilyevich Malyutin – the oldest in age and creative experience of all Russian masters who came to the Soviet art. With the victory of the October Revolution, which the artist enthusiastically met, new heroes are included in his thematic repertoire.

“Portrait of D. A. Furmanov” is not only one of Malyutin’s most significant works, but also an important milestone in the history of Soviet painting. It was in this work, for the first time, with great depth and artistic expressiveness that the typical appearance and character of the person who made the socialist revolution and was formed by it was embodied. Continue reading

“The Adoration of the Magi” by Sandro Botticelli and Leonardo Da Vinci

In March 1481, the monks of the Florentine monastery of San Donato and Scopetto turned to the notary Pietro of Vinci with a request to find an artist who could write an altar painting for the cathedral. Pietro immediately offered the services of his son Leonardo, who recently graduated from Verrocchio. At the same time the contract was concluded, where the working conditions were determined. The artist was given the task of painting a 2.5×2.5 m size in oil on a blackboard in two – two and a half years. The plot of the Adoration of the Magi is one of the episodes of the Gospel legend. Continue reading

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Camille Corot: "I write with my heart"
The large, half a century long, creative life of the French artist Camille Corot (1796–1875) was, as it were, subject to the change of seasons. In the winter months he…

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Giacomo Manzu - Coast of Truth
Creativity Mantsu is a surprisingly natural synthesis of truth, clarity of artistic ideas and originality of the visual image. His method is truly realistic, but this is realism, say, not…

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Ordinary Magic Glass
The expression "Venetian glass" has become a household word. It is used in the appreciation of the artistic merit of glass. And it is not by chance that the largest…

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Paul Gauguin - “the world of Tahiti”
When you get to the hall where the paintings of Gauguin hang, you find yourself in a special world of images, mysteriously flickering colors, slow rhythms. Everything here is unusual…

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