It is enough to remember the names of Giorgione and Titian, Veronese and Tintoretto, and it becomes clear what a bright and beautiful page in the art of the Renaissance was the painting of Venice. In a politically fragmented Italy, each city was an independent state, and its artistic culture had a special character, its own unique features. Historical destinies, social structure, natural conditions, way of life, everyday and cultural traditions determined the originality of the art of a particular center.
Indeed, how could it be like any other art painting of Venice – a fabulous city that arose, as if by magic, among the waters of the Adriatic? Continue reading
The creation of artistically designed household items is one of the oldest art forms in India. Its impact is mighty, because it brings a person a great aesthetic joy, it refines the taste. Applied art enjoyed the deep love of the people. Tools, household items, military equipment and a religious cult are richly and ingeniously embellished. The producers were numerous artisan castes.
Thus, the artistic decoration of handwritten books became especially skillful in the 16th – 17th centuries. Continue reading
The expression “Venetian glass” has become a household word. It is used in the appreciation of the artistic merit of glass. And it is not by chance that the largest museums of the world are proud of the works of the nameless glassmakers of Venice, along with the paintings of famous painters – their contemporaries: Titian, Carpaccio, Veronese, Giorgione. Particularly remarkable are the products of the XVI century – the truly “golden age” of Venetian glass. They all the more benefit when compared with the European glass of the preceding one and a half millennia: thick-walled, dull-green bottles, rough goblets in the form of a horn or a stalk with unwise ornaments. Continue reading