Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”
The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak…

Continue reading →

Venetian landscape painters of the 18th century
By the beginning of the 18th century, the once mighty Venice had lost its significance as the political center of the Mediterranean, becoming a peculiar center of pilgrimage. Rich travelers…

Continue reading →

Syrian landscapes
Most of the landscape compositions by Syrian artists are devoted to old Damascus and the village of Maaloula, located in a picturesque mountain area near Damascus. She became a source…

...

Veliky Ustyug
It is unlikely that you will immediately find a small circle on the map, next to which are two words: "Great Ustyug". We will show you - look at the…

Continue reading →

Antoine Bourdelle and Aristide Maillol - antiquity in the works
Antoine Bourdelle and Aristide Mayol. What binds them? That they were born in the same year - 1861st? That both are French? Or that they are outstanding sculptors and are…

...

ambassador to Greece

Eugene Delacroix – Goethe’s Faust lithographs

In the 1820s, the artist Eugene Delacroix was in the prime of his creative power. He is 30 years old, he is a recognized master, who created the paintings that put him among the best artists of France: “Dante and Virgil”, “The Massacre at Chios”, “The Execution of Marino Faliero”, “The Death of Sardanapala”.

In them, Delacroix most fully reflected the ideas of progressive romanticism that prevailed at that time in French painting, to the transmission of historical truth expressed by a vivid, emotional language, which compels the emperor to sympathize with the strong, integral and passionate characters. Continue reading

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”

The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a participant or a witness.” Fritz Kremer’s path more than once led him to the brink, the transition of which required risking his life. His art speaks of the most tragic and sorrowful moments in the history of the 20th century courageously, simply and frankly. The artist does not lose faith in the bright forces of man and does not allow falsehood and emotion.

Fritz Kremer was born 80 years ago in the small mining town of Ruhr. He was not one year old when he lost his father, and at the age of 16 after his mother died, he left the burgher’s stepfather’s house that was alien to him. Continue reading

Rafael Santi – the ideal of the purest art

In the view of the people of the Renaissance, beauty is above all the orderly consonance and connection of parts, harmony. It is based on a proportion, a perfect image, where, in the words of the Italian scientist and architect Alberti, “you cannot add, subtract or change anything without making it worse.”

In the resurrected Renaissance, the ancient formula “beauty is harmony” expressed both the essence of art and a peculiar idea of ​​the world around it. Continue reading

"Boris Godunov" and "Vasily Shuisky" by Ivan Shtenglin
In the middle of the 18th century, the interest of the Russian society in national history increased. Ivan Shtenglin, a master from Augsburg, Germany, who worked in Russia, completed from…

...

“Portrait of Marshal G. K. Zhukov” by Pavel Korin
Artists see the world in different ways, each depicting what he sees in his own way, conveying the many colors of nature and unusual characters. And sometimes they dream to…

...

The Unknown by Ivan Kramskoy
At the end of the 1860s, in the period when the Association of Traveling Art Exhibitions was born, a curious incident occurred in the workshop of Artel of artists. He…

...