Egyptian ostracon drawings
In the art of ancient Egypt there are monuments that make up a special group. These are works of graphics - drawings on the boards. The Greek word "ostracon" literally…

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How did the masters of the Italian Renaissance study
Verrocchio, Mantegna, Leonardo da Vinci, Michelangelo. The greatest geniuses. What bright individuals and how much they differ from each other! What unites the unsurpassed masters of the time, which is…

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James Whistler: “I am an artist and“ born ”in Petersburg”
James Whistler, an Anglo-American artist, was born July 11, 1834 in Lowell, the industrial city of the United States. Staying in Russia largely affected the formation of his talent. Whistler…

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Leah Grundig - the art of anger and struggle
Expressive ink drawings, expressive genre compositions and portraits made with black chalk, aggressive engravings based on the confrontation of light and shadow ... figures of the unemployed, touching images of…

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Camille Corot: "I write with my heart"
The large, half a century long, creative life of the French artist Camille Corot (1796–1875) was, as it were, subject to the change of seasons. In the winter months he…

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distinguished by its mannerism

Chinese classical painting

Painting of China, flourishing in the era of the Middle Ages – IV – XIX centuries of our era, it was not by chance that it took an honorable place in the world history of art. In this area of ​​artistic culture, Chinese masters managed to leave a particularly bright mark. With extraordinary conviction, they embodied the beauty of nature, the ideas of harmony and majesty of the universe. They invested in the picture-scrolls not only personal moods, but also wisdom understandable to subsequent generations. Continue reading

Egyptian ostracon drawings

In the art of ancient Egypt there are monuments that make up a special group. These are works of graphics – drawings on the boards. The Greek word “ostracon” literally means a shard, a fragment of ceramics. However, in relation to the art of ancient Egypt, it has a more capacious meaning. This word is commonly understood as drawings made not only on fragments of ceramics, but mostly on chipped stone (usually limestone), less commonly wood, that is, on material that was always at hand with masters engaged in decorating the tombs of the Theban necropolis — painting walls , manufacturing of statues and items of funeral inventory. Continue reading

Pre-Raphaelite Brotherhood

For a proper understanding of the pre-Raphaelite movement, it is necessary to identify the difference between its individual stages, which stretched over several decades. It should be noted that many foreign historians and critics of art are silently ignoring or deliberately distorting its progressive line, trying to limit the rebelliousness of the Pre-Raphaelites to a purely artistic field.

In September 1848, seven young men, students of the school of the Royal Academy of Fine Arts in London, formed a “Pre-Raphaelite brotherhood” with the goal of making a revolution in English art. Continue reading

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”
The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak…

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"The Adoration of the Magi" by Sandro Botticelli and Leonardo Da Vinci
In March 1481, the monks of the Florentine monastery of San Donato and Scopetto turned to the notary Pietro of Vinci with a request to find an artist who could…

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Rafael Santi - the ideal of the purest art
In the view of the people of the Renaissance, beauty is above all the orderly consonance and connection of parts, harmony. It is based on a proportion, a perfect image,…

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