In the 1820s, the artist Eugene Delacroix was in the prime of his creative power. He is 30 years old, he is a recognized master, who created the paintings that put him among the best artists of France: “Dante and Virgil”, “The Massacre at Chios”, “The Execution of Marino Faliero”, “The Death of Sardanapala”.
In them, Delacroix most fully reflected the ideas of progressive romanticism that prevailed at that time in French painting, to the transmission of historical truth expressed by a vivid, emotional language, which compels the emperor to sympathize with the strong, integral and passionate characters. Continue reading
The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a participant or a witness.” Fritz Kremer’s path more than once led him to the brink, the transition of which required risking his life. His art speaks of the most tragic and sorrowful moments in the history of the 20th century courageously, simply and frankly. The artist does not lose faith in the bright forces of man and does not allow falsehood and emotion.
Fritz Kremer was born 80 years ago in the small mining town of Ruhr. He was not one year old when he lost his father, and at the age of 16 after his mother died, he left the burgher’s stepfather’s house that was alien to him. Continue reading
When you get to the hall where the paintings of Gauguin hang, you find yourself in a special world of images, mysteriously flickering colors, slow rhythms. Everything here is unusual – the sky is golden, the earth is red, yellow, pink. There is solemn peace throughout.
Stuck in motionless poses near the huts of the woman, not moving, a fisherman sitting by the boat, squatted mother with a child. The monumental figures of people are connected with nature and seem to be a part of it. Continue reading