School of Painting

Venetian landscape painters of the 18th century
By the beginning of the 18th century, the once mighty Venice had lost its significance as the political center of the Mediterranean, becoming a peculiar center of pilgrimage. Rich travelers…

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Diego Rivera - the great Mexican painter
When the Great October Socialist Revolution took place in Russia, a revolutionary struggle was going on in Mexico for seven years. Armed peasants opposed the dictatorship of the rich and…

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Masterpieces of Venetian painting
It is enough to remember the names of Giorgione and Titian, Veronese and Tintoretto, and it becomes clear what a bright and beautiful page in the art of the Renaissance…

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Leah Grundig - the art of anger and struggle
Expressive ink drawings, expressive genre compositions and portraits made with black chalk, aggressive engravings based on the confrontation of light and shadow ... figures of the unemployed, touching images of…

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James Whistler: “I am an artist and“ born ”in Petersburg”
James Whistler, an Anglo-American artist, was born July 11, 1834 in Lowell, the industrial city of the United States. Staying in Russia largely affected the formation of his talent. Whistler…

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Eugene Delacroix – Goethe’s Faust lithographs

In the 1820s, the artist Eugene Delacroix was in the prime of his creative power. He is 30 years old, he is a recognized master, who created the paintings that put him among the best artists of France: “Dante and Virgil”, “The Massacre at Chios”, “The Execution of Marino Faliero”, “The Death of Sardanapala”.

In them, Delacroix most fully reflected the ideas of progressive romanticism that prevailed at that time in French painting, to the transmission of historical truth expressed by a vivid, emotional language, which compels the emperor to sympathize with the strong, integral and passionate characters. Continue reading

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”

The essence of understanding of the creative tasks of Kremer is to appeal to the broad masses of the people. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a participant or a witness.” Fritz Kremer’s path more than once led him to the brink, the transition of which required risking his life. His art speaks of the most tragic and sorrowful moments in the history of the 20th century courageously, simply and frankly. The artist does not lose faith in the bright forces of man and does not allow falsehood and emotion.

Fritz Kremer was born 80 years ago in the small mining town of Ruhr. He was not one year old when he lost his father, and at the age of 16 after his mother died, he left the burgher’s stepfather’s house that was alien to him. Continue reading

Rafael Santi – the ideal of the purest art

In the view of the people of the Renaissance, beauty is above all the orderly consonance and connection of parts, harmony. It is based on a proportion, a perfect image, where, in the words of the Italian scientist and architect Alberti, “you cannot add, subtract or change anything without making it worse.”

In the resurrected Renaissance, the ancient formula “beauty is harmony” expressed both the essence of art and a peculiar idea of ​​the world around it. Continue reading

Paul Gauguin – “the world of Tahiti”

When you get to the hall where the paintings of Gauguin hang, you find yourself in a special world of images, mysteriously flickering colors, slow rhythms. Everything here is unusual – the sky is golden, the earth is red, yellow, pink. There is solemn peace throughout.

Stuck in motionless poses near the huts of the woman, not moving, a fisherman sitting by the boat, squatted mother with a child. The monumental figures of people are connected with nature and seem to be a part of it. Continue reading

Honore Fragonard – “Solar Brush Provence”

Attraction to the poetry of life, its emotional richness distinguishes Fragonard among the brilliant artists of France of the XVIII century.

The destiny of the master initially developed happily. Even in his youth, he quickly and easily achieved success, was recognized by the Academy. Then – the rejection of the paths of a successful artist. But independence did not bring him worldly well-being. In the last years of his life, Fragonard loses his customers, almost forgotten by the public. Continue reading

Egyptian ostracon drawings
In the art of ancient Egypt there are monuments that make up a special group. These are works of graphics - drawings on the boards. The Greek word "ostracon" literally…

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"Red came" by Yevsey Moiseenko
“Our roots are in childhood memories, in the family, its moral soil, foundations, relations with the outside world ...”, says Moiseenko. "... From the first impressions of life comes the…

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"Red came" by Yevsey Moiseenko
“Our roots are in childhood memories, in the family, its moral soil, foundations, relations with the outside world ...”, says Moiseenko. "... From the first impressions of life comes the…

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